Filament Library
Eighteen colours,
one sculpture.
Every colour we print, shown on the same piece under the same light — so what you are comparing is the filament, not the photograph.
Screens lie about colour, and a flat swatch square lies more. Each image below is the same Nobody — Meditation figure, printed in that exact filament and photographed identically. Tap any colour to open its detail: the reading in shadow, on the body of the piece, and where the light hits it, measured from the photograph itself.
18 colours
The cleanest white we print. Detail reads softly rather than sharply, because there is no dark edge for shadow to catch.
- Store swatch
- #FFFFFF
- In shadow
- #CACAC8
- On the body
- #D7D6D6
- In the light
- #E0E0E0
- Lightness
- 84 / 100
- Finish
- Matte
- Upgrade
- None
A pale, chalky pink — closer to blush than to bubblegum. The lightest of the coloured filaments.
- Store swatch
- #FC8EAC
- In shadow
- #DBA8B6
- On the body
- #EDC1CF
- In the light
- #F6D1DE
- Lightness
- 84 / 100
- Finish
- Matte
- Upgrade
- None
White with a trace of green-grey in it. Sits more calmly against warm wood and linen than pure white does.
- Store swatch
- #F5F3F0
- In shadow
- #C3C3BE
- On the body
- #CFCFCB
- In the light
- #E0E0DC
- Lightness
- 80 / 100
- Finish
- Matte
- Upgrade
- None
A soft sand-toned neutral. The safest warm colour if the room is already beige or oak.
- Store swatch
- #C3B091
- In shadow
- #BEA68F
- On the body
- #D8C6B6
- In the light
- #E9DACD
- Lightness
- 78 / 100
- Finish
- Matte
- Upgrade
- None
Marble
White filament veined with grey, so the piece reads like carved stone. The pattern falls differently on every print.
- Store swatch
- #D9DAE7
- In shadow
- #786F62
- On the body
- #A6A5A3
- In the light
- #D8E0EA
- Lightness
- 65 / 100
- Finish
- Marble, veined
- Upgrade
- +50 EGP
A golden beige with real yellow in it — warmer and more saturated than Light Khaki.
- Store swatch
- #F6DCA3
- In shadow
- #C38337
- On the body
- #D7AE68
- In the light
- #ECD4AA
- Lightness
- 63 / 100
- Finish
- Matte
- Upgrade
- None
Mid grey with a faint violet cast. Holds its neutrality under warm indoor light, where plain greys go brown.
- Store swatch
- #796E7E
- In shadow
- #59515E
- On the body
- #847989
- In the light
- #A49AAC
- Lightness
- 51 / 100
- Finish
- Matte
- Upgrade
- None
A true saturated violet, and the boldest colour we stock. Best used as the single loud object in a room.
- Store swatch
- #8F429D
- In shadow
- #8B3E93
- On the body
- #A656AD
- In the light
- #C37DC9
- Lightness
- 51 / 100
- Finish
- Matte
- Upgrade
- None
Deep mustard rather than lemon. The matte finish keeps it from reading as plastic.
- Store swatch
- #FFE338
- In shadow
- #B8901D
- On the body
- #CAA833
- In the light
- #E3CD65
- Lightness
- 50 / 100
- Finish
- Matte
- Upgrade
- None
Marble
Brown filament veined with cream — the warm counterpart to Marble White. Every piece is patterned differently.
- Store swatch
- #D9B97F
- In shadow
- #7B5632
- On the body
- #A07F5C
- In the light
- #DFCDB6
- Lightness
- 49 / 100
- Finish
- Marble, veined
- Upgrade
- +50 EGP
A mid tan, the colour of unfinished terracotta. Reads as a natural material rather than a painted one.
- Store swatch
- #CBA560
- In shadow
- #764F22
- On the body
- #9C7140
- In the light
- #C59A69
- Lightness
- 43 / 100
- Finish
- Matte
- Upgrade
- None
A grey-leaning olive, not a bright green. Behaves almost like a neutral next to wood and plants.
- Store swatch
- #636B2F
- In shadow
- #4D5D38
- On the body
- #687A54
- In the light
- #8C9C81
- Lightness
- 40 / 100
- Finish
- Matte
- Upgrade
- None
Slate blue with real pigment in it — considerably bluer in daylight than it looks on a screen.
- Store swatch
- #626F91
- In shadow
- #31355F
- On the body
- #4D5480
- In the light
- #6A7199
- Lightness
- 40 / 100
- Finish
- Matte
- Upgrade
- None
A dark antique bronze rather than a bright metallic. The highlight is where the gold actually shows.
- Store swatch
- #BD882C
- In shadow
- #5E3C1B
- On the body
- #7F5B30
- In the light
- #B08F5D
- Lightness
- 34 / 100
- Finish
- Matte
- Upgrade
- None
Deep oxblood. Dark enough to behave as a neutral from across a room, red only when you stand close.
- Store swatch
- #A3313B
- In shadow
- #520F12
- On the body
- #732425
- In the light
- #A4514C
- Lightness
- 30 / 100
- Finish
- Matte
- Upgrade
- None
Near-black navy. Edges and carved detail read crisply because the shadows are so deep.
- Store swatch
- #2D3E68
- In shadow
- #16203B
- On the body
- #2D395B
- In the light
- #47547A
- Lightness
- 27 / 100
- Finish
- Matte
- Upgrade
- None
Dark espresso brown. The warmest way to get an almost-black piece.
- Store swatch
- #533621
- In shadow
- #291911
- On the body
- #463229
- In the light
- #7E695F
- Lightness
- 22 / 100
- Finish
- Matte
- Upgrade
- None
A flat, light-absorbing black. Silhouette does the work — fine surface detail disappears, outline is everything.
- Store swatch
- #1C2120
- In shadow
- #151615
- On the body
- #292929
- In the light
- #575756
- Lightness
- 16 / 100
- Finish
- Matte
- Upgrade
- None
Marble is two filaments in one strand. Marble White and Marble Mocha print with a natural stone-like veining, so no two pieces are identical. They carry a +50 EGP upgrade on most pieces, +100 EGP on the larger ones.
Everything else is a matte finish — no gloss, no shine. Lightness is measured 0–100 from the photographed piece, which is why any colour in a dim room will read lower than its number.